In a strategic trickster twist, I feature children, often masked, as a tool to bring the viewer into my work. Masks are multi-layered. They are a mechanism to hide or obscure our true intentions, acting as a wall between us and the world. Masks are also agents of transformation, powerful and sometimes dangerous.
My work attempts to explore what lies beneath or in the shadows. I am intrigued with the power of these shadows in our lives and how they haunt us or make us doubt our reality, at times even terrorizing us. I consciously incorporate shadows in my work by controlling the lighting and relationships of the figures, giving form to the secrets that linger in our lives.
GHOST OF THE DEAD
Archival Color Photograph
mounted on 1/4″ plexi with museum mount
24″ x 36″
1, 2, 3, and 5 available from the edition of 5
For inquiries, please contact: The Studio
Mustang, OK 73064 | 405.308.0239
In the Collection of:
C. N. Gorman Museum, Davis, California
Exhibition History
The Thread that Connects, Spiva Center for the Arts, Joplin Missouri (January 14 – March 4)
On Turtle’s Back, Pauly Friedman Art Gallery, Misericordia University, Dallas, Pennsylvania (September 8 – October 11, 2022)
Upturned Flower That Travels, The Volland Store, Alma, Kansas (November 6 – December 5, 2021 )
Holly Wilson: Talk Story, C.N. Gorman Museum, University of California-Davis
(January 9-March 16, 2018)
Unique Cast Bronze, Patina, Glass, Brass, and Feathers, 14” x 6” x 6”, 2022
I am more than the view that my people are frozen in time, lost to a romanticized ideal of who the Native Americans were, we are more, and we are still here. I am not this fluff; I am here; I am loud and larger than life.
Available
For inquiries, please contact: The Studio
Mustang, OK 73064 | 405.308.0239
Exhibition History
The Thread that Connects, Spiva Center for the Arts, Joplin Missouri (January 14 – March 4)
On Turtle’s Back, Pauly Friedman Art Gallery, Misericordia University, Dallas, Pennsylvania (September 8 – October 11, 2022)
There are 12 girls, and each girl is made in 24 colors from a Crayola Crayon box making a total 288 girls.
I think if we could see ourselves as all the colors in the crayon box in all the shades, we could be kinder we would be able to feel if just for a moment another’s life and our world could change in such a way that children would not worry about if they are too light or too dark to belong. We are more than a classification in terms of a position between two extremes, I see the light within us all and the variations that make each of us, we are all the colors and an untold number of possibilities.
The way we see others and how one is seen has been a subject that I have had in my life since I was small. I am both Native American and Caucasian, but growing up I felt more times than I care to count that I was not enough of one or the other and that pull made me question all parts of myself. If I did not look like _____ could I be ______? Where did I fit if I was not a part of this or that group? I have had conversations with many that are from other races and nationality and they too have struggled. Is my skin too dark or not dark enough, the texture of my hair or the accent that one hears when I speak. All this history, this past came to a head one day while getting my children ready for school we were pulling together pencils, colored pencils, folders, and crayons. They had to have 4 sets of 24 crayons each and we had leftovers from sets of the past years, some colors had never been used, and we were combining them together so we’d know how many new boxes would be required. The kids were talking about their friends at the new school and friends of their past school. In the conversation, they were describing the children “the girl with a big laugh, she has yellow hair, or the boy I ate lunch with, he was a helper and he told the funniest stories”, in a very casual descriptive manner with no malice to the differences. This made me think more about how we see people and how one is judged. The smell of the crayons, the vivid colors, and the thoughts of my youth brought me to this crayon project. How we change in our viewpoints of people, and how we judge people based on race and color. We are all one below that surface, that surface of skin, no matter the color, the shape, or the origin.
Available
For inquiries, please contact:
The Studio
11400 Riverview | Mustang, OK 73064 | 405.308.0239
Exhibition History
The Thread that Connects, Spiva Center for the Arts, Joplin Missouri (January 14 – March 4)
On Turtle’s Back, Pauly Friedman Art Gallery, Misericordia University, Dallas, Pennsylvania (September 8 – October 11, 2022)
Weaving History into Art: The Enduring Legacy of Shan Goshorn, Gilcrease Museum, Tulsa, OK (October 9, 2020 – March 28, 2021)
On Turtle’s Back, Dunedin Fine Art Center, Dunedin, FL (Sept 13, 2019 -December 23, 2019)
Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Nerman Museum of Contemporary Art, Overland Park, KS (March 7 – June 2, 2019)
On Turtle’s Back, Museum of Contemporary Native Art, Santa Fe NM (May 25, 2018-January 27, 2019)
21C Museum Hotels Oklahoma City (August 2017 – February 2018)
Four by Four 2016: Midwest Invitational Exhibition, Springfield Art Museum, Springfield, Missouri (September 10 – December 4, 2016)
A View From Within Under The Skin by Holly WilsonA View from Within Under The SkinA View from Within Under The Skin
A View From Within Under The Skin – Detail by Holly Wilson
My work attempts to explore what lies beneath or in the shadows. I am intrigued with the power of these shadows in our lives and how they haunt us or make us doubt our reality, at times even terrorizing us. I consciously incorporate shadows in my work by controlling the lighting and relationships of the figures, giving form to the secrets that linger in our lives.
Archival Color Photograph
mounted on 1/8″ plexi with museum mount
24″ x 36″
1, 3, 4 and 5 available from the edition of 5
For inquiries, please contact: The Studio
Mustang, OK 73064 | 405.308.0239
In the Collection of:
C. N. Gorman Museum, Davis, California
EXHIBITION HISTORY
The Thread that Connects, Spiva Center for the Arts, Joplin Missouri (January 14 – March 4)
On Turtle’s Back, Pauly Friedman Art Gallery, Misericordia University, Dallas, Pennsylvania (September 8 – October 11, 2022)
Upturned Flower That Travels, The Volland Store, Alma, Kansas (November 6 – December 5, 2021 )
Holly Wilson: Talk Story, C.N. Gorman Museum, University of California-Davis
(January 9-March 16, 2018)
2015-21, 100” x 144” x 8.5”, (site sets size), Unique Cast Bronze with Patina
This boy stands tall ready to defend his world. He represents all our children, the children we are to protect and care for in our world. The airplanes are their messages going out into the world. These messages both large and small are their stories, some will survive, and some will not go very far. The bombs represent messages that are incoming from both people and society on a daily basis. The blue bombs are called “Dumb Dumbs” and used just for practice and have no explosives while the white ones with a yellow ring indicate that they are highly explosive and may cause much destruction. What comes at our children in our society can be very devastating like an explosive tearing at their innocence.
Available
For inquiries, please contact: The Studio
Mustang, OK 73064 | 405.308.0239
EXHIBITION HISTORY
The Thread that Connects, Spiva Center for the Arts, Joplin Missouri (January 14 – March 4)
On Turtle’s Back, Pauly Friedman Art Gallery, Misericordia University, Dallas, Pennsylvania (September 8 – October 11, 2022)
Upturned Flower That Travels, The Volland Store, Alma, Kansas (November 6 – December 5, 2021 )
On Turtle’s Back, Dunedin Fine Art Center, Dunedin, FL (Sept 13, 2019 -December 23, 2019)
On Turtle’s Back, Museum of Contemporary Native Art, Santa Fe NM (May 25, 2018-January 27, 2019)
Holly Wilson: Talk Story, C.N. Gorman Museum, University of California-Davis (January 9-March 16, 2018)
Four by Four 2016: Midwest Invitational Exhibition, Springfield Art Museum, Springfield, Missouri (September 10 – December 4, 2016)
A Foot in Two Worlds, Oklahoma Contemporary, Oklahoma City, Oklahoma (June 18 – August 21, 2015)
We Need a Hero
We Need A HeroSpringfield Art Museum “We Need a Hero” by Holly Wilson
In a strategic trickster twist, I feature children, often masked, as a tool to bring the viewer into my work. Masks are multi-layered. They are a mechanism to hide or obscure our true intentions, acting as a wall between us and the world. Masks are also agents of transformation, powerful and sometimes dangerous.
HERE
Archival Color Photograph
mounted on 1/4″ plexi with museum mount
36″ x 24″
Spectrums Within Under Our Skin is 144 girls made from Crayola Crayon. There are 12 different girls, each girl is made from the 12 colors I see when I look at the color spectrum. I wish we could see the light within us all and the variations that make each of us that light passing through a prism showing the many spectrums within us all. We are more than classifications in terms of a position between two extremes, we are all the colors and an untold number of possibilities.
For inquiries, please contact:
The Studio
11400 Riverview | Mustang, OK 73064 | 405.308.0239
MA Doran Gallery
3509 S. Peoria Avenue | Tulsa, OK 74105 | 918.748.8700
Exhibition History
Science Museum Oklahoma, 2020 Remington Pl, Oklahoma City, OK 73111 (November 9th, 2018 – Aug 4, 2019)
Spectrums Within Under Our Skin
Installed view at theScience Museums Oklahoma’s smArt Space Galleries Beautiful Minds – Dyslexia and the Creative Advantage
Under Our Skin and Spectrums Within Under Our Skin