I am so thrilled to announce that I will be at this year’s SWAIA Market!
I hope you will stop by my new booth and see what I have been working on for the last year. I will have new Jewelry, Drawings, Clay work, Bronze, and Paintings. It is a joy for me to see all the smiling faces and hear how you have been, so please stop by and say hello.
Booth #LIN W 719
Saturday Aug 20, 8:00am-5:00pm
Sunday Aug 21, 8:00am-5:00pm
There will be performances, music, food, and artists through out the Santa Fe plaza and surrounding area. This is a community event that has always been filled with amazing art, artists, camaraderie, performances, a place to meet new and old friends, and a celebration of diverse Indigenous cultures and creativity.
Wednesday, August 17th
Indian Market 2022 Private Preview & Artist Reception
6:00 pm – 8:00 pm
Thursday, August 18th
Art Indigenous
6:00 pm – 10:00 pm
Friday, August 19th
Best of Show Ceremony and Luncheon
12:00 am – 2:30 pm
Members Only: Sneak Peek of Award-Winning Art + Silent Auction
2:00 pm – 4:00 pm
General Preview of Award-Winning Art + Silent Auction
4:00 pm – 6:00 pm
Sunday, August 21st
Native American Clothing Contest
9:00 am – 12:00 pm
Plaza Entertainment
9:00 am – 4:00 am
V.I.P. Indigenous Fashion Show Pre-Party
Time To Be Determined
Indigenous Fashion Show
3:00 pm
Indigenous Fashion Trunk Show
Directly Following The Fashion Show
All info for the events can be found at this link on SWAIA events page
The Volland Store presents:
November 6. 2021 – December 5 2021
The Volland Store, 24098 Volland Road, Alma, KS
Narrative is central to my work. I am interested in stories—the stories of my parents, my ancestors, my family, my community. I am a storyteller; through my work, I weave together the threads of these various narratives to create a tapestry that tells stories that are sacred and precious, personal and universal, powerful and at times volatile. Telling them brings to life things sometimes kept secret, hidden, and not permitted to be said because they challenge the status quo or reveal realities that neither side wants said. -Holly Wilson
Opening Weekend Programming
Saturday, November 6 – The artist will explain her process, using examples of the various stages of bronze casting. In the Blacksmith Shop at The Volland Store, 2 pm.
Sunday, November 7 – Artist remarks followed by conversation. In the gallery at 2 pm.
A selection of Wilson’s sterling silver jewelry, echoing the exhibition’s themes, will be available for sale during the exhibit.
Free admission. Refreshments will be served.
For your protection, and the safety of others, masks are required inside the gallery.
MAY 12 – JUNE 26, 2021 Group Exhibition
OPEN HOUSE – Saturday, May 15, 2021
12:00 – 4:00 p.m.
M.A. Doran Gallery
3509 S. Peoria Avenue Tulsa, OK 74105
https://www.madorangallery.com/exhibit/303-contemporary-american-realism
I am so thrilled to announce that I will be at this year’s in-person SWAIA Market!
I hope you will stop by my new booth and see what I have been working on for the last year.
Booth #LIN W 721
Saturday Aug 21, 6:00am-5:00pm
Sunday Aug 22, 6:00am-5:00pm
In-Person Indian Market Will Return This August
SWAIA’s 2021 event will be a hybrid—combining both the new online marketplace and a smaller curated, in-person market at 75% capacity of the 2019 event. This year’s event will be ticketed.
New Mexico is one of the top covid restricted states. For this reason, this year’s Santa Fe Indian Market will be marginally smaller and a ticketed event. BUT your ticket is good for the entire day, 8 am-5 pm, with no allotted time slots.
Early bird tickets may be available for a 6 AM market entrance (still working with the City of Santa Fe on these logistics).
If you are a SWAIA/Santa Fe Indian Market member, you will have priority tickets on the 28th of May. Tickets for the public will go on sale on May 29th.
Ticket Prices for Saturday:
General Admission
$40.00 (6 AM-5 PM) – pending on the City of Santa Fe
$20.00 (8 AM-5 PM)
Native North American’s, Veterans, and Students: $10.00 (8 AM-5 PM)
Ticket Prices for Sunday:
General Admission
$40.00 (6 AM-5 PM) – pending on the City of Santa Fe
$20.00 (8 AM-5 PM)
Native North American’s, Veterans, and Students: $10.00 (8 AM-5 PM)
Performances, music, food, and artists will safely engage the Santa Fe plaza and surrounding area. This is a community event that has always been filled with amazing art, artists, camaraderie, performances, a place to meet new and old friends, and a celebration of diverse Indigenous cultures and creativity.
Join Curator of History Mark Dolph, Jack and Maxine Zarrow Curator for Indigenous Art and Culture Chelsea Herr, and contemporary multi-media artist Holly Wilson (Delaware/Cherokee) for a virtual discussion on the upcoming exhibition, WEAVING HISTORY INTO ART: THE ENDURING LEGACY OF SHAN GOSHORN opening October 9.
This conversation will focus on key themes at play in the exhibition, including the complex histories of Native American boarding schools and their ongoing legacies today.
“I’m Still Here”, detail by Holly Wilson
ABOUT HOLLY WILSON
Multi-media artist Holly Wilson creates figures which serve as her storytellers to the world, conveying stories of the sacred and the precious, capturing moments of our day, our vulnerabilities and our strengths. The stories are at one time both representations of family history as well as personal experiences. Wilsons work reaches a broad audience allowing the viewer the opportunity to see their personal connection. Wilson works in a variety of media including bronzes, paint, encaustic, photography, glass, and clay.
She has been exhibiting her intimate bronzes, photography, and encaustic relief paintings nationally and internationally since the early 1990s. Additionally, her works are in corporate, public, and museum collections throughout the United States, as well as national and international private collections such as; The Heritage in Oklahoma City, The Central Library in downtown Tulsa Oklahoma, Virginia Museum of Fine Art, the C.N. Gorman Museum, The Eiteljorg Museum of American Indians and Western Art, The Heritage Center at Red Cloud Indian School, and the Nerman Museum of Contemporary Art.
Holly Wilson of Delaware Nation and Cherokee heritage is now based in Mustang, Oklahoma. In in 2001 she graduated with an MFA in sculpture and in 1994 she earned an MA in ceramics both from Stephen F. Austin State University, Nacogdoches, Texas; she received her Teaching Certification in K-12 Art from Cameron University in Lawton, Oklahoma, in 1993; and in 1992 she finished her BFA in ceramics at the Kansas City Art Institute.
ABOUT WEAVING HISTORY INTO ART
WEAVING HISTORY INTO ART: THE ENDURING LEGACY OF SHAN GOSHORN features the art of Shan Goshorn (Eastern Band Cherokee, 1957-2018) and her legacy of influence carried forward through the works of four contemporary Native American women artists.
Shan Goshorn was internationally recognized for weaving archival documents and photographs into baskets using traditional Cherokee techniques to create historical, political and cultural commentary on Native American issues that continue to resonate in the 21st century.
Central to the exhibition is the premier of Squaw, the last work Goshorn completed prior to her passing. Squaw was inspired by the Venus de Milo, an iconic symbol of female beauty. Juxtaposing this model with the title Squaw creates a tension and contrast to the Western ideal of beauty against a pejorative used to reduce Native women to disposable sexual commodities. Squaw will serve as a catalyst for much needed conversations on why indigenous women suffer disproportionately higher rates of violence than non-Native women and the judicial system’s reluctance to prosecute these crimes.
Goshorn’s artistic legacy is also represented and complimented by the art of four Native American women whose works reflects Shan’s influence and vision: Carol Emarthle-Douglas (Northern Arapahoe/Seminole) is well-regarded for her traditional and contemporary baskets, jewelry and paintings; Anita Fields (Osage/Muscogee Creek), is nationally recognized for her unique contemporary ceramic sculptures, mixed-media installations, traditional Osage ribbon work, and as an arts educator; Lisa Rutherford (Cherokee), a textile artist, potter and maker of traditional Cherokee clothing, beadwork, and baskets; Holly Wilson (Delaware/Cherokee), a contemporary multi-media artist whose works include bronzes, encaustics, photography, glass and clay.
Through Goshorn’s hand-woven basketry, Weaving History into Art will encourage engaging, empathetic interactions with difficult subjects, including the loss of Native homelands, cultural genocide, violence directed at Native women and inappropriate cultural appropriation in a non-threatening experience that promotes informed dialogue among Native and non-Native audiences alike.
Weaving History into Art: The Enduring Legacy of Shan Goshorn
October 9, 2020 – March 28, 2021
Thomas Gilcrease Institute of American History and Art 1400 N Gilcrease Museum Rd Tulsa, OK 74127
There’s something about having a message in the vessel shape that makes people really curious … really engages them. They literally lean forward and look in and want to know more about it. It’s the perfect springboard for honest dialogue. I’ve never seen anything like it.
-Shan Goshorn
Weaving History into Art: The Enduring Legacy of Shan Goshorn features the art of Shan Goshorn (Eastern Band Cherokee, 1957-2018) and her legacy of influence carried forward through the works of four contemporary Native American women artists.
Shan Goshorn was internationally recognized for weaving archival documents and photographs into baskets using traditional Cherokee techniques to create historical, political, and cultural commentary on Native American issues that continue to resonate in the 21st century.
Central to the exhibition is the premier of Squaw, the last work Goshorn completed prior to her passing. Squaw was inspired by the Venus de Milo, an iconic symbol of female beauty. Juxtaposing this model with the title Squaw creates a tension and contrast to the Western ideal of beauty against a pejorative used to reduce Native women to disposable sexual commodities. Squaw will serve as a catalyst for much-needed conversations on why indigenous women suffer disproportionately higher rates of violence than non-Native women and the judicial system’s reluctance to prosecute these crimes.
Goshorn’s artistic legacy is also represented and complemented by the art of four Native American women whose works reflect Shan’s influence and vision: Carol Emarthle-Douglas (Northern Arapahoe/Seminole) is well-regarded for her traditional and contemporary baskets, jewelry and paintings; Anita Fields (Osage/Muscogee Creek), is nationally recognized for her unique contemporary ceramic sculptures, mixed-media installations, traditional Osage ribbon work, and as an arts educator; Lisa Rutherford (Cherokee), a textile artist, potter and maker of traditional Cherokee clothing, beadwork, and baskets; Holly Wilson (Delaware/Cherokee), a contemporary multi-media artist whose works include bronzes, encaustics, photography, glass, and clay.
Through Goshorn’s hand-woven basketry, Weaving History into Art will encourage engaging, empathetic interactions with difficult subjects, including the loss of Native homelands, cultural genocide, violence directed at Native women, and inappropriate cultural appropriation in a non-threatening experience that promotes informed dialogue among Native and non-Native audiences alike.
