Sense of Self-view 2-Holly Wilson

Weaving History into Art: Key Themes

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Image: "Song of Sorrow" (detail) by Shan Goshorn. Generously loaned to the exhibition by the Goshorn/Pendergraft family.
Image: “Song of Sorrow” (detail) by Shan Goshorn. Generously loaned to the exhibition by the Goshorn/Pendergraft family

Thursday, Sept 24th, 2020, at 12 PM – 1 PM
Online with Facebook Live https://www.facebook.com/events/658737375027876/

Hosted by Gilcrease Museum, The University of Tulsa and Holly Wilson Artist

Join Curator of History Mark Dolph, Jack and Maxine Zarrow Curator for Indigenous Art and Culture Chelsea Herr, and contemporary multi-media artist Holly Wilson (Delaware/Cherokee) for a virtual discussion on the upcoming exhibition, WEAVING HISTORY INTO ART: THE ENDURING LEGACY OF SHAN GOSHORN opening October 9.

This conversation will focus on key themes at play in the exhibition, including the complex histories of Native American boarding schools and their ongoing legacies today.

Im Still Here-front 1-Holly Wilson
“I’m Still Here”, detail  by Holly Wilson

ABOUT HOLLY WILSON

Multi-media artist Holly Wilson creates figures which serve as her storytellers to the world, conveying stories of the sacred and the precious, capturing moments of our day, our vulnerabilities and our strengths. The stories are at one time both representations of family history as well as personal experiences. Wilsons work reaches a broad audience allowing the viewer the opportunity to see their personal connection. Wilson works in a variety of media including bronzes, paint, encaustic, photography, glass, and clay.
She has been exhibiting her intimate bronzes, photography, and encaustic relief paintings nationally and internationally since the early 1990s. Additionally, her works are in corporate, public, and museum collections throughout the United States, as well as national and international private collections such as; The Heritage in Oklahoma City, The Central Library in downtown Tulsa Oklahoma, Virginia Museum of Fine Art, the C.N. Gorman Museum, The Eiteljorg Museum of American Indians and Western Art, The Heritage Center at Red Cloud Indian School, and the Nerman Museum of Contemporary Art.
Holly Wilson of Delaware Nation and Cherokee heritage is now based in Mustang, Oklahoma. In in 2001 she graduated with an MFA in sculpture and in 1994 she earned an MA in ceramics both from Stephen F. Austin State University, Nacogdoches, Texas; she received her Teaching Certification in K-12 Art from Cameron University in Lawton, Oklahoma, in 1993; and in 1992 she finished her BFA in ceramics at the Kansas City Art Institute.

Read more at https://hollywilson.com/biography/

ABOUT WEAVING HISTORY INTO ART
WEAVING HISTORY INTO ART: THE ENDURING LEGACY OF SHAN GOSHORN features the art of Shan Goshorn (Eastern Band Cherokee, 1957-2018) and her legacy of influence carried forward through the works of four contemporary Native American women artists.
Shan Goshorn was internationally recognized for weaving archival documents and photographs into baskets using traditional Cherokee techniques to create historical, political and cultural commentary on Native American issues that continue to resonate in the 21st century.
Central to the exhibition is the premier of Squaw, the last work Goshorn completed prior to her passing. Squaw was inspired by the Venus de Milo, an iconic symbol of female beauty. Juxtaposing this model with the title Squaw creates a tension and contrast to the Western ideal of beauty against a pejorative used to reduce Native women to disposable sexual commodities. Squaw will serve as a catalyst for much needed conversations on why indigenous women suffer disproportionately higher rates of violence than non-Native women and the judicial system’s reluctance to prosecute these crimes.
Goshorn’s artistic legacy is also represented and complimented by the art of four Native American women whose works reflects Shan’s influence and vision: Carol Emarthle-Douglas (Northern Arapahoe/Seminole) is well-regarded for her traditional and contemporary baskets, jewelry and paintings; Anita Fields (Osage/Muscogee Creek), is nationally recognized for her unique contemporary ceramic sculptures, mixed-media installations, traditional Osage ribbon work, and as an arts educator; Lisa Rutherford (Cherokee), a textile artist, potter and maker of traditional Cherokee clothing, beadwork, and baskets; Holly Wilson (Delaware/Cherokee), a contemporary multi-media artist whose works include bronzes, encaustics, photography, glass and clay.
Through Goshorn’s hand-woven basketry, Weaving History into Art will encourage engaging, empathetic interactions with difficult subjects, including the loss of Native homelands, cultural genocide, violence directed at Native women and inappropriate cultural appropriation in a non-threatening experience that promotes informed dialogue among Native and non-Native audiences alike.
Interwoven Dragon-Detail-HollyWilson

Native Thoughts in Contempoary Art OCU Artist Talk with Holly Wilson

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Join us this Thursday night Sept 24th, 2020 at 6 pm in person at the Norick Art Center at OCU or on zoom!

I hope this finds you safe and healthy. Mask up and come see their show and hear my talk.

Weaving History into Art: The Enduring Legacy of Shan Goshorn

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Weaving History into Art: The Enduring Legacy of Shan Goshorn
October 9, 2020 – March 28, 2021

Thomas Gilcrease Institute of American History and Art
1400 N Gilcrease Museum Rd
Tulsa, OK 74127

There’s something about having a message in the vessel shape that makes people really curious … really engages them. They literally lean forward and look in and want to know more about it. It’s the perfect springboard for honest dialogue. I’ve never seen anything like it.

-Shan Goshorn

Weaving History into Art: The Enduring Legacy of Shan Goshorn features the art of Shan Goshorn (Eastern Band Cherokee, 1957-2018) and her legacy of influence carried forward through the works of four contemporary Native American women artists.

Shan Goshorn was internationally recognized for weaving archival documents and photographs into baskets using traditional Cherokee techniques to create historical, political, and cultural commentary on Native American issues that continue to resonate in the 21st century.

Central to the exhibition is the premier of Squaw, the last work Goshorn completed prior to her passing. Squaw was inspired by the Venus de Milo, an iconic symbol of female beauty. Juxtaposing this model with the title Squaw creates a tension and contrast to the Western ideal of beauty against a pejorative used to reduce Native women to disposable sexual commodities. Squaw will serve as a catalyst for much-needed conversations on why indigenous women suffer disproportionately higher rates of violence than non-Native women and the judicial system’s reluctance to prosecute these crimes.

Goshorn’s artistic legacy is also represented and complemented by the art of four Native American women whose works reflect Shan’s influence and vision: Carol Emarthle-Douglas (Northern Arapahoe/Seminole) is well-regarded for her traditional and contemporary baskets, jewelry and paintings; Anita Fields (Osage/Muscogee Creek), is nationally recognized for her unique contemporary ceramic sculptures, mixed-media installations, traditional Osage ribbon work, and as an arts educator; Lisa Rutherford (Cherokee), a textile artist, potter and maker of traditional Cherokee clothing, beadwork, and baskets; Holly Wilson (Delaware/Cherokee), a contemporary multi-media artist whose works include bronzes, encaustics, photography, glass, and clay.

Through Goshorn’s hand-woven basketry, Weaving History into Art will encourage engaging, empathetic interactions with difficult subjects, including the loss of Native homelands, cultural genocide, violence directed at Native women, and inappropriate cultural appropriation in a non-threatening experience that promotes informed dialogue among Native and non-Native audiences alike.

Bloodline-Holly Wilson
Bloodline-Holly Wilson
Sense of Self-view 1-Holly Wilson

VIRTUAL 99TH SANTA FE INDIAN MARKET, SWAIA

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August 1 – 31, 2020
Please follow this link to my: VIRTUAL SWAIA 2020 BOOTH HERE ONLINE.

We have been looking forward to The 99th Santa Fe Indian Market that transforms the City of Santa Fe, with nearly 900 of the continent’s finest Native American artists showing their work in booths filling the Santa Fe Plaza and surrounding streets. The Indian Market is the largest and most prestigious Native American fine art show in the world.

This year SWAIA is thrilled to announce that even though the Santa Fe Indian Market was canceled due to COVID 19, SWAIA is moving ahead with a Virtual Indian Market!

Spectrums Within Under Our Skin-Detail-Holly Wilson-2m

Rural | Urban Invitational Art Exhibit II, The Volland Store

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“Rural” and “Urban” are defined by the current address of each artist, but the artist’s current address does not necessarily indicate their origins. Once the artists are selected, the discovery begins:  where did they grow up?  what were the influences that led them to become artists?  how are their early experiences revealed in their work today?  or are they?  This is the fun of the exhibition.  Join us in the journey, and learn each artist’s story.

Throughout the exhibit, we will look at the lives of these artists, their life’s work today, and the ways in which Rural and Urban are alike, unique, and significant.

 

Closing Reception | March 1, 2020

Artist Panel at 2 pm
Norman Akers, Geraldine Craig, Rena Detrixhe, Alison Mary Kay, Holly Wilson

Saralyn Reece Hardy, Moderator

Marilyn Stokstad Director of the Spencer Art Museum at the University of Kansas

Refreshments.  Free admission

Spectrums Within Under Our Skin-Holly Wilson-2m
Spectrums Within Under Our Skin

Spectrums Within Under Our Skin is 144 girls made from Crayola Crayon. There are 12 different girls, each girl is made from the 12 colors I see when I look at the color spectrum. I wish we could see the light within us all and the variations that make each of us that light passing through a prism showing the many spectrums within us all. We are more than a classification in terms of a position between two extremes, we are all the colors and an untold number of possibilities.

“Spectrums Within Under Our Skin”
Crayola Crayon
100″ x 70″ x 2″, 2018

 

The Volland Store presents: Rural | Urban Invitational Art Exhibit II
October 20. 2019 – March 1, 2020
The Volland Store, 24098 Volland Road, Alma, KS

E X H B I T I N G  A R T I S T S

Geraldine Craig | Manhattan, Kansas
Holly Wilson | Mustang, Oklahoma
Levi Robb | Des Moines, Iowa
Mary Kay | Lindsborg, Kansas
Norman Akers | Lawrence, Kansas
Rena Detrixhe | Russell, Kansas
Ryan RedCorn | Pawhuska, Oklahoma

Finding Form, Encaustic in the Third Dimension

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Canceled due to COVID 19
Finding Form, Encaustic in the Third Dimension
By Holly Wilson
June 29 – July 3, 2020

Colored wax on a flat surface is just the beginning! We are going to look at materials and form to bring your ideas to life, allowing you to create fascinating structures that leave the two-dimensional plane.

Material is an important part of our visual language, so you will want to carefully choose the materials you wish to speak with. Along with your ideas, you will bring a variety of materials including wood, cardboard, metal, fired clay pieces, dried plasterwork, fiber, string, paper, objects from nature, or treasures you have held onto (a complete list of suggestions to follow). You will learn interesting ways to weave these objects into your work.

Experiment with how the materials may be dipped, painted, wired, glued, hammered, but most of all, waxed. You will start by making your own encaustic medium with pigment application. Encaustic is a wax-based paint composed of beeswax, resin, and pigment, which is kept liquid on a heated palette, and then applied to an absorbent surface. In addition to safety practices, you will learn a range of techniques including fusing, using transparencies, glazing, layering, building up texture, line making, carving, image transfer, mold making, and resin application with different surfaces. Returning students will learn new methods and may choose to work on advanced projects.

Skill Level: All levels
Tuition: $755
Lab Fee: $120 – This workshop’s $120 lab fee includes encaustic wax, pigments, two wood panels, art resin, and the use of propane torches, alcohol lamp, and two metal tools. You will be asked to bring additional materials.
Materials List: Coming Soon
Enrollment limited to 8 students

Here is a link to the enrollment online

Sculpture & Glassblowing

A View From Within Under The Skin by Holly Wilson
A View From Within Under The Skin by Holly Wilson
Together