Bloodline: The Matriarchs

2017, 29” x 11.5’ x 9”, Unique Cast Bronze with Patina, Cedar, and Steel

The figures walk across a cedar tree base that is cut lengthwise exposing the rough center revealing the lines that show its life and history. Growing up, my mother would use cedar to purify our home, release spirits, and chase away bad dreams. That smell for me is home. I de-barked the exterior but kept the curve of the tree and its raw surface. You see the figures walking through time—their life above and the tree’s life below.

The Cigar Figures come from a childhood Native American story that my mother told of the “Stick People.” The “Stick People” would run through the night and call your name; if you went with them, you were never heard from again. She never described the figures and I was always drawn to the idea of what they looked like. The Cigar Figures are my reimagining of that story, now a story of family and my past—a complicated narrative of loss, survival, and resilience. The figures are made from real cigars and found sticks cast in bronze. The faces are of the ancestors from my past as far back as I can trace.

There are sections for each generation, beginning with my children. Though I only have two, there are five figures. Each life is counted and the children who did not survive are remembered with a place on the wood in history; their forms small and their heads bowed. Next, I have my section with my sisters and brother followed by my mother’s history. When hung, the light casts a shadow of the figures on the wall. This shadow represents memory for me. Like a shadow, these memories cannot be held, and in the end, we are all only a shadow in history, shadows on this earth.”

Sold Through the Studio

In the Collection of Virginia Museum of Fine Art, 200 N. Boulevard Richmond, VA 23220

Exhibition History

• Hear My Voice: Native American Art of the Past and Present, Virginia Museum of Fine Art, Richmond VA (August 19-November 26, 2017)
• Hear My Voice: Native American Art of the Past and Present, Taubman Museum, Roanoke, Virginia (September 28 – January 6, 2018)
• Hear My Voice: Native American Art of the Past and Present, Museum of the Shenandoah Valley, Winchester, Virginia (Feb 17 – July 22, 2018)

IT’S A THIN LINE

2013, 9.5” x 3.5” x 9.5”, Unique Cast Bronze with Patina, and African Mahogany

In so many things there is a thin line that on one side you are in complete joy and the other complete devastation. The space between the two emotions seemed like it should be so much farther apart from one another than it truly is.

SOLD  Through the Studio

In the Collection of Travois, Kansas City, MO 

Exhibition History

• Below The Surface, Travois, 310 W. 19th Terrace Kansas City, MO 64108
• Holly Wilson: Talk Story, C.N. Gorman Museum, University of California-Davis (January 9-March 16, 2018)

When I Close My Eyes

2018, 36″ x 24″ x 4.5″, Crayola Crayon, Plex Glass, Birch Panel

When I close my eyes and dream I do not see the color of my skin or limitations that have been placed upon me because of who I am or where I come from, I dream of all the possibilities of all the amazing things I can achieve.

While getting my children ready for school we were pulling together pencils, folders, colored pencils, and crayons. They had to have 4 sets of 24 crayons each and we had leftovers from sets of the past years, some colors had never been used, and we were combining them together so we’d know how many new boxes would be required. The kids were talking about their friends at the new school and friends of their past school. In the conversation, they were describing the children “the girl with the yellow hair, the boy with the brown skin”, in a very casual descriptive manner with no malice to the differences. This made me think more about how we see people and how one is judged. The smell of the crayons, the vivid colors, and the thoughts of my youth brought me to this crayon project. How we change in our viewpoints of people, and how we judge people based on race and color. We are all one below that surface, that surface of the skin, no matter the color, the shape, or the origin.

SOLD Through the Studio 

In the Collection of Travois, Kansas City, MO 

Exhibition History

• Below The Surface, Travois, 310 W. 19th Terrace Kansas City, MO 64108
• Native American Contemporary, Spiva Center for the Arts, Joplin, M0 (Jan 5- Mar 3, 2018)