Unique Cast Bronze, Patina, Sterling Silver on Birch, 30” x 24” x 4”
She holds that which is precious close to her, the babies sit top of her head, her mind, her heart. There will be the day in which she will not be able to hold them close to keep them safe, but that is not today.
Barn Swallows build a nest above our front door one year and I remember watching them build, then grow their family. The babies looked like little bandits and would watch you as you walked up. There was the one that would sit high in the nest craning his head to watch you, then one that was tucked just behind peeking out to see you. This reminded me of my own children. Wilson was always bold and the one edge ready to see the world, where Zoe would sit back, quietly watching you and the world before she would make a move. The parallels in our world of nature fill my mind and my days.
A burden, as anything or anyone you care for creates a responsibility for you. I echo this, casting the baby birds in sterling silver for they are precious to her.
Sold
For inquiries, please contact:
MA Doran Gallery
3509 S. Peoria Avenue | Tulsa, OK 74105 | 918.748.8700
22 E. 81 ST | New York City, New York 10028 | 929.226.7800 | www.bdgartboutique.com
7040 E. Main Street | Scottsdale, Arizona 85251 | 480.941.8500 | www.BonnerDavid.com
22 E. 81 ST | New York City, New York 10028 | 929.226.7800 | www.bdgartboutique.com
7040 E. Main Street | Scottsdale, Arizona 85251 | 480.941.8500 | www.BonnerDavid.com
There are 12 girls, and each girl is made in 24 colors from a Crayola Crayon box making a total 288 girls.
I think if we could see ourselves as all the colors in the crayon box in all the shades, we could be kinder we would be able to feel if just for a moment another’s life and our world could change in such a way that children would not worry about if they are too light or too dark to belong. We are more than a classification in terms of a position between two extremes, I see the light within us all and the variations that make each of us, we are all the colors and an untold number of possibilities.
The way we see others and how one is seen has been a subject that I have had in my life since I was small. I am both Native American and Caucasian, but growing up I felt more times than I care to count that I was not enough of one or the other and that pull made me question all parts of myself. If I did not look like _____ could I be ______? Where did I fit if I was not a part of this or that group? I have had conversations with many that are from other races and nationality and they too have struggled. Is my skin too dark or not dark enough, the texture of my hair or the accent that one hears when I speak. All this history, this past came to a head one day while getting my children ready for school we were pulling together pencils, colored pencils, folders, and crayons. They had to have 4 sets of 24 crayons each and we had leftovers from sets of the past years, some colors had never been used, and we were combining them together so we’d know how many new boxes would be required. The kids were talking about their friends at the new school and friends of their past school. In the conversation, they were describing the children “the girl with a big laugh, she has yellow hair, or the boy I ate lunch with, he was a helper and he told the funniest stories”, in a very casual descriptive manner with no malice to the differences. This made me think more about how we see people and how one is judged. The smell of the crayons, the vivid colors, and the thoughts of my youth brought me to this crayon project. How we change in our viewpoints of people, and how we judge people based on race and color. We are all one below that surface, that surface of skin, no matter the color, the shape, or the origin.
Available
For inquiries, please contact:
The Studio
11400 Riverview | Mustang, OK 73064 | 405.308.0239
Exhibition History
The Thread that Connects, Spiva Center for the Arts, Joplin Missouri (January 14 – March 4)
On Turtle’s Back, Pauly Friedman Art Gallery, Misericordia University, Dallas, Pennsylvania (September 8 – October 11, 2022)
Weaving History into Art: The Enduring Legacy of Shan Goshorn, Gilcrease Museum, Tulsa, OK (October 9, 2020 – March 28, 2021)
On Turtle’s Back, Dunedin Fine Art Center, Dunedin, FL (Sept 13, 2019 -December 23, 2019)
Monarchs: Brown and Native Contemporary Artists in the Path of the Butterfly, Nerman Museum of Contemporary Art, Overland Park, KS (March 7 – June 2, 2019)
On Turtle’s Back, Museum of Contemporary Native Art, Santa Fe NM (May 25, 2018-January 27, 2019)
21C Museum Hotels Oklahoma City (August 2017 – February 2018)
Four by Four 2016: Midwest Invitational Exhibition, Springfield Art Museum, Springfield, Missouri (September 10 – December 4, 2016)
Unique Cast Bronze with Patina, 30” x 30”x 4.5”, 2016
In the moments before I fall asleep, I feel like I am floating in a large body of water with all the days happening and all the possibilities mixing around me like fish in the ocean, each one a choice I can make in my life that could lead to many different outcomes, the path is unknown and each different from the other.
Sold
For inquiries, please contact: The Studio
Mustang, OK 73064 | 405.308.0239
Exhibition History
Art for a New Understanding: Native Voices, 1950s to Now, Memphis Brooks Museum of Art, Memphis, Tennessee, (February 22 – Oct 20, 2020)
Art for a New Understanding: Native Voices, 1950s to Now, Nasher Museum of Art
at Duke University, Durham, North Carolina, (August 29, 2019 – January 12, 2020)
Art for a New Understanding: Native Voices, 1950s to Now, Crystal Bridges Museum of Art, Bentonville Arkansas (October 6, 2018, through January 7, 2019)
Four by Four 2016: Midwest Invitational Exhibition, Springfield Art Museum, Springfield, Missouri (September 10 – December 4, 2016)
Bibliography
“Art for a New Understanding: Native Voices, 1950s to Now”, book by Mindy N. Besaw, Candice Hopkins, and Manuela Well-Off-Man; p 182-183 (2018)